本帖最後由 天爸 於 2013-1-9 10:40 編輯 3 n" L# i H% `. G3 @ 1 y. {; ~+ ]; X( tPaul Simon - Quality . w6 k/ h4 h8 h: r 1 n r1 h3 b7 J- u I- i) A+ {- X3 _/ [ qPaul Simon: ( {' z2 ]" T4 K0 q) N: ~The way you move 2 K" E! S, K5 X0 u% N4 QIt's got quality ) s5 X( t/ c' b" P+ x4 wCome on baby, let's go downtown . b% J2 i5 U, aLittle girl, you sure look good to me2 }* e7 z5 E8 K! M
The way you move & c1 j6 N; ]/ J& ?+ QIt's got quality% v; s9 {: J7 y7 `2 D; ?, ^; i& T0 B
Come on baby now don't be shy 4 A! d$ M. @ RStep in the light so I can see, n$ ~3 _* e( F
The way you move" @0 I& W, g1 }; M- r7 R$ S4 @# e
It's got quality 8 n# _" Q7 e+ l% |. _* S) s1 R% G1 Z4 \. D
GIRLS% t( c( A( h0 C+ V: \# |
I want to know4 [. w- f) o: I& Y7 [1 C
Are you my beautiful young boy 0 a- y, I" ?3 m: H4 fOr just another love : q5 B8 x1 X; r$ u6 dPassing through my life: c* `' c1 n0 @
I need to know ( T$ H+ \, L" v) AWill you be my sorrow and my joy. |& d+ O0 _" |* |- l8 p
And maybe one day soon J% U. U- g2 a7 U8 ~0 d% d6 B( k9 }Will I be your wife.( _3 E" [4 Z4 O6 M7 a1 |5 p$ ]
5 T- L, O# F( f0 JPaul Simon: ! X" f. o4 S D _Come on baby, 6 Y5 Y5 V T3 V( rLet's rock some more8 ^ r8 @& c V
I want to spend my salary - D9 e$ C' l9 B, FThe way you move , Q) O; @# m! {7 P. Z. o& {It's got quality 7 R3 k" k! X; P7 @) e( `9 Q + Y: h$ ^" j, y1 ^% ^Everytime they see me walk down the street / Y/ u4 ` f( rThey say Co?o that boy is fine# @: V0 }: ^% W9 g- u# s1 j1 D
The way he moves - B3 H& {, n$ r3 zGot quality ! z' d( D$ |* V @' @ 4 e/ m- s! ^9 a* }5 v+ ^GIRLS, i! f/ Z) Q$ z9 j# a" T
I want to know , V7 v7 {" i/ c V3 E$ a) XAre you my beautiful young boy, 4 j _, p! `) VOr just another love: s' n9 p6 E& u" [! ^1 Y
Passing through my life,' {+ [3 k2 W% t. P; w! F
/ f! s u& R) A0 ?I need to know7 r1 v# @; ]3 T: ~; [6 x& n
Will you be my sorrow and my joy $ t* k8 K0 A2 FAnd maybe one day soon ! S+ Q+ }4 u9 U. S, cWill I be your wife4 H" j7 ~( @! ]9 L d& C5 u/ a' u
Quiero saber 4 `3 N* e9 s5 l% I- M, I7 fQuiero saber, H4 w+ i7 x5 m. B6 Y: y% d
Nadie nunca sabe a |9 j$ |( |7 I4 ?6 wEn la vida ) e. U3 C# ]* Y6 ], z3 w4 Q* D- a3 Q2 j% t
Paul Simon: " G! q! t; G3 ~$ E N& S% HThe way you move; \4 _3 a% t3 y3 `2 H, W
It's got quality/ G% p3 S% T0 ~. N- G n
The way you move$ I: W! U% {3 h$ l5 s9 N
It's got quality
/ z( @* ?5 E, b5 N : M4 S2 q! s8 g4 H, a/ P" pSAL $ k7 V. U, g5 _: C* p \, h6 B" m' @It was the morning of October 6th, 19602 L, K4 _5 u* A' D( U! p4 x# M- b
I was wearing my brown suit. `2 f8 N- j% l9 x
Preparing to leave the house of D. 1 o/ {: B: V) W- a( q) H* \' k/ SShook some hands then adios Brooklyn amigos # c7 e M. a# [Maybe some of them had hopes of seeing me again8 v7 N+ a" H4 H) Y
Some even said that my judge-Judge Gerald Culkin- $ y5 H5 a1 t9 Z6 ~Wouldn't play it by the book 3 [# L# }+ T2 f; n; y2 ~/ HMaybe let us off the hook/ X3 \; y5 z- R1 _% c
But, WOH-OO-WOH, I knew better. , p4 _* H6 a4 V7 ^6 ~: N8 r6 ?6 Q' C7 g* W, ~
SAL & SALVADOR |' K3 j# C c% c( {Afraid to leave the projects. c l) N! ]/ b9 f8 ]
To cross into another neighborhood- B" |8 E9 B2 f% j8 T( a7 w
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SAL S( x& e5 H& S. |4 ~0 U- U
The blancos and the nigger gangs$ U2 H& \7 q( }0 O# d9 T
Well, they'd kill you if they could.# E) \2 ~1 D+ b5 m- h" z/ v
O; C5 M) N9 J" mAUREA & WOMEN + g# M! b8 Q: J f1 y, OAngel of Mercy, people are suffering ' Q9 A3 U* }9 T& ]. j, f9 RAll over the world! U$ C* A: D9 x! i% {
Spanish children are taught on their knees to believe ' e8 s+ B8 r' y6 M. HAngel of Mercy, people are suffering. M$ W- C+ C$ g2 `* z x' d8 G
All over the island tonight,# F* G- ~( S. x+ ~6 I) b( K* e
Mothers weep , C# J; d/ ]5 g w6 G/ X$ [. L7 `5 o8 Q
SAL & AUREA1 A1 t0 B9 W/ u5 u4 K
Sisters grieve.: `4 \ I2 `, z* O
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Well, I entered the courtroom, state of New York 5 g3 ~/ T, o5 p* T/ b) z/ ZCounty of New York, just some spic2 b! B( [( c) F: v' P8 a
They scrubbed off the sidewalk4 ?4 o( c0 I& x8 K0 |9 O4 ~
Guilty by my dress $ y$ s9 f! G1 [3 B1 Y; g8 tGuilty in the press - ~) z1 {- A2 {* {6 c$ l+ QLet The Capeman burn for the murder 2 B5 m- Z' k; A* E# ?0 f: AWell the "Spanish boys" had their day in court & `& D3 V. j3 P0 iAnd now it was time for some fuckin' law and order ( {; u# d- A3 J9 R* R3 m7 w/ jThe electric chair 7 Y" I- E* x5 D% _, Q XFor the greasy pair, g; f+ g' s2 ^5 g" P7 v: _
Said the judge to the court reporter $ V9 o8 g' |9 n, X c p0 s3 ^# Q+ @9 r/ S( X1 N% E
SAL & SALVADOR . z5 S$ t! f4 ? ]Afraid to leave the projects0 R3 v( ?# ?( J, X- `2 M% o, d
To cross into another neighborhood( j* Q( g2 E" G9 q9 E1 C) E1 ~
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SALVADOR7 d8 g! h# p! h& H- y
The newspapers and the T.V. crews . m* m9 G- k/ I) {+ E! AWell, they'd kill you if they could " x+ @+ z3 [; F# V e 5 Y7 ?2 N) c# p( c9 O- m) QAUREA & WOMEN 6 E4 S+ J' ^: X$ T rAngel of Mercy, people are suffering , \$ z I- i! D- N! O% e5 F- ^, k# lAll over the world 7 H4 G$ F2 [( A4 F! `; Z* X2 ^A Spanish boy could be killed every night of the week1 \9 l2 g! I/ J8 L
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But just let some white boy die & @: t" d- b1 ZAnd the world goes crazy for blood-Latin blood. G, i' J2 O" J4 MI don't lie when I speak. 4 L- \+ W7 L# G5 f) Y, x0 @ 3 W9 P6 d( y# Y# fSAL & SALVADOR 9 A' l5 o/ E8 R3 gWell they shackled my hands S ^. a; D& ^$ }8 w 3 u. P1 u* j5 h) z4 h( k9 v8 ^% x7 {SAL 8 D9 f w6 }. v+ o3 M' V9 O! XA heavy belt around my waist to restrain me 2 _! ~5 |) l* @7 o& c ' D9 D) C. M; R1 J* _2 O' ~6 qSAL & SALVADOR 3 d! |; I" B3 oAnd they shackled my legs) H0 D$ ^1 t6 z8 X
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SAL: B6 y: \' K+ V9 P/ @
Hernandez, the "Umbrella Man," chained beside me' h$ ~% h. x4 A- ?
Then we rode that Black Maria / g5 M# |% }* }+ JThrough the streets of Spanish Harlem) K r5 J( r3 C( ]$ o& z% N$ f
Calling old friends on the corners, X) N+ D6 }$ M
/ q2 P! |& \ N. j* y% KSAL & AUREA 3 S7 r* m/ \8 N3 C" r2 V7 RJust to lay our prayers upon them- m/ M2 q( ]9 R! S$ @4 `( ^8 G
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SAL , s K0 r1 C$ TCrying0 {2 H0 b) q" W r" Y% L
Adios Hermanos, Adios % {6 n* {8 ?% M. a6 g5 i* f3 t+ n0 A7 ~0 s2 e: X
SAL & SALVADOR 3 i8 {; m) J5 g+ ^Adios Hermanos, Adios
Paul Simon - Born In Puerto Rico5 _- M, {$ a0 }
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(Paul Simon)/ m, p4 X P {+ U$ M, W. F
SALVADOR) a. S7 ]3 [, c6 ]- u( Y
I was born in Puerto Rico 2 l; i* V$ Q# r6 z5 R- B. ?5 pWe came here when I was a child 4 A2 l; i% ]1 aBefore I reached the age of sixteen ) X& w3 C; w" m2 YI was running with the gang and we were wild - O {* m0 t, G* d0 C ( w# R X+ E- ?He keeps looking but he don't recognize me. 0 ~0 A ~# H* e/ fSome guy from Lexington or Park ! h$ N& q4 U9 v3 yRed beans and rice from kitchen windows 9 R, j" a% B! D8 e+ MSupper-time and the barrio is dark.+ Y* M: C1 G o% W& \/ t4 V3 B" I
# Z9 M5 y, |( V- C8 s+ fNo one knows you like I do " ]# P* i4 @. x( r3 H0 d$ [* ~. ?1 i+ QNobody can know your heart the way I do- ~$ ]6 C/ }% p' ]/ r! Q9 F
No one can testify to all that you've been through ) n1 v$ z1 P, O3 t- X% FBut I will.# Z) N/ Y4 m1 I
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I was born in Puerto Rico & q6 K4 D$ ]" N8 y, b0 W! qAnd my blood is Taino & H8 a7 y1 O8 v9 U Y: C9 L$ sSpanish Caribbean my soul 8 L: b: q3 @& j5 F: s* M4 e4 h; ]0 V: y9 E* ~& Z
SALVADOR , W$ V' E" T* \We came here wearing summer clothes in winter$ q0 j3 w5 X$ ~3 ~5 R
Hearts of sunshine in the cold2 c% Q; ~$ W7 G* L
Your family rented this apartment - f+ @ S0 {; KYou'd watch the street lamps from your perch" U1 I3 i- H/ }% e* N. A4 Q
In the sacramental hour your stepfather in black ( e( N }! K5 }& YPreached the fire of the Pentecostal Church- Q, z: | D' e/ \' q) v5 q
No one knows you like I do+ W6 q% Y$ ]% {
Nobody can know your heart the way I do) @0 Y1 p' l9 s& t a, ^" p
No one can testify to all that you've been through9 ^1 g" D+ @% u. |2 D3 }
But this will.( Y9 \3 \; q) e
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SAL & THEVAMPIRES7 O! w3 \% g; Y6 |6 ?0 i
I was born in Puerto Rico; v) {- d! [" i( X9 T! a; y5 \% }
Came here when I was a child.$ d* D u% g1 A. x6 r
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SALVADOR - }+ b" X: B; k, |Small change and sunlight, then I left these streets # E3 ~+ P' w. Rfor good. k& n' e5 I+ M- LMy days as short as they were wild. ; Q' `$ Y. Y( L0 w, N0 G) h! U0 A. h. r1 A9 V6 D
CARLOSAPACHE4 [7 V' P3 z) q1 C; ^
I'm Carlos Apache( h/ ~; V8 z+ s9 ]8 O$ A
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ANGEL SOTO* G( u) h7 V1 I1 ?
Angel Soto 2 }# `; d$ p! G+ Z4 f+ K8 ?' { x; t" `$ K n/ p
FRENCHY CORDERO$ p/ f6 C/ X, o4 g
Frenchy Cordero % y- Y( e+ \" V2 ?% n/ I4 Q. S# l% G9 Z0 m, u* R
BABU CHARLIE CRUZ. m1 f6 ?. F0 G2 M- r' c" V& I
Babu Charlie Cruz 9 d# q5 h2 z: G/ Z3 A9 N% I+ C( j v( [% J$ U7 N2 |' ?! R) j6 N
SALVADOR : o) L) u; y/ y& Z& v4 J$ S' i( D7 TYour features blurred in every grainy photo h' _) [3 }& A, d" s L. vAnd fading headline of the Daily News 3 B; A1 G5 o: ~1 ?" b8 z 5 G6 e7 d& k9 R( N# G9 ~Wiltwyck School for Criminal Children # w" ^/ Y- h' \& yAuburn, Brooklyn House of D.,- u% @, j p7 p4 f
Dannemora, Sing-Sing, Attica, 3 a' [9 a8 z, DGreenhaven 6 \4 i, z. [# d: @! K( J % X2 x* V# V1 v4 HSALVADOR: k( q/ l( { v# I4 |
Twenty years inside, today you're free. : k" |; ~, h! z: g+ T7 u; h) a: @* D: U9 u K& I! J8 |$ B4 e
You cannot even read your story1 W. o5 H% t- V, k" ]( ]( }
The pages piling up in shame 4 m4 ?: |1 E8 V: D/ {% aBefore the words released you, the guard would, {9 J( w' h" _; }! ]$ a
kill the light ) o# `! I* @% x4 t7 \7 x }: |6 q" fThe night you took The Capeman for your name.0 R9 |+ _0 K9 Z: [3 V0 I' e G
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CHORUS 1 C$ m3 c. O; lI was born in Puerto Rico( W1 E$ k/ [% D/ F1 s1 K
I was born in Puerto Rico/ a6 i) q4 Y5 d) K" R
I was born in Puerto Rico / z) T4 x! m9 t" \/ d: n: ~3 LI was born in Puerto Rico * H. p' S( L9 a+ cI was born in Puerto Rico) ]. d0 p- t( y* X& j) C
I was born in Puerto Rico r$ u4 A: h5 r$ L( f+ ~I was born in Puerto Rico ( |: |& z2 |/ z( JI was born in Puerto Rico
Paul Simon - Bernadette 2 Y* ^( ~7 G# ^4 P/ Y9 O6 i3 ^( {5 ?3 z) _4 K
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Whoa--I got time on my hands tonight$ w6 z) [& W ?8 V
You're the girl of my dreams" W, A* I7 ^& i$ [$ V
When I'm near you my future seems bright4 m, G8 \: b4 }. i- s
OO--I want you to be my girl$ P1 G% m. D1 X
I want you to be my movie 9 M/ `0 a: K6 v6 j5 m- U0 T+ B3 rI am Sal Mineo and I need you so( k7 P; {3 h4 z' j* _! y
Sweet Bernadette/ s3 y- Y% t' c
2 w* e" F$ p, ?- X B% D: iWhoa---You got style from your hair to ( b) D% V( g/ U! r* m1 Lyour heels 1 L @2 }& b5 XThough my words may be jumbled, W: x3 d' _7 E3 o+ D
Still I'm telling you just how it feels" Y% e! K9 R( g, Q
I love you 5 M. J" Z% C( b: S T5 T% A% _* O! F1 m0 X2 [
SAL & BERNADETTE8 f' o- r0 j; G C7 ?
I love you ! t/ }" c1 g0 c) f+ @1 K ZAnd the breeze that wraps around you% k: u5 J4 |$ s3 t" s
( |' e5 K4 V5 \0 v+ R$ sSAL ; _ U! ~' ^. a ZSatin summer nights ; [6 b; W+ N4 Z' w& e8 H/ m' p7 s
BERNADETTE5 y$ H o( f" m& e, U
Satin summer nights $ p3 c% }* G }6 d+ t1 T* q ]3 ~9 X. X4 _: p6 R' F# u- x
SAL & BERNADETTE ( A n" R. F& H0 l( U* c0 U: iA girl I can't forget3 j& S4 H/ c3 e9 G. J
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SAL # p9 q6 ^0 a7 q$ a# kWhoa--You're the smile of the moon! U& U- A$ R+ q
Bernadette$ [9 L2 Q0 n9 H
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SAL & BERNADETTE' Z* u0 s6 t0 o; U5 @
Dom Dom Dom Doo 1 h* U& W2 N9 |6 AWell-a well I'm home 5 y" h' s+ M& [, X5 VDom Dom Dom Doo3 n, s8 P! K' G$ Y" ^
Well-a well I'm home 5 P( n+ a- C; F6 f! P- x $ ?/ G' g4 J. cSAL $ o- a+ W' F$ y8 N Q) H! ^2 pWop, Wop. Wop, Wop& F/ I+ O' O* i) B$ ~, w* S2 K4 G2 K- ]
Come with me 7 C& I" g9 X) `7 z& ]! oThere's a place I want you to see & y/ A7 i2 |/ F1 |4 N5 ] F& S5 N, {" F - A3 ]" u# \5 A: v! u7 l" bWhen the leaves are dark0 S3 `, u* n$ F& _4 W) ^. v
I've got a hiding place in Central Park( O: k7 I5 z+ N
And the sky is a coat of diamonds4 F3 z! @* t; _2 a$ O7 J( K4 v
2 u) ~9 \0 m( O, Y$ G$ v1 \! xThere's a wooden cross over my bed + C F, x2 C3 \# x2 ~& E6 OThe city is lit with candles# [) m" n0 O% d; X
They're shining for you Bernadette. ! U. ?' [ q- h7 p' a3 V4 a3 q/ L1 ]
Whoa, Whoa, Whoa, Whoa L- O9 [3 P! v0 P) i% ?2 mOO OO, Bernadette 8 v+ V) t E% R6 a! u% I 2 p$ y4 j6 I3 |SAL & BERNADETTE& O* Y# j0 P0 K% G& \& ^5 ]$ ]7 P
Dom Dom Dom Doo # k9 v! Y a2 x) a! B, Y) tWell-awell I'm home 0 g" K K" c) Q: E6 z: Y# `Dom Dom Dom Doo ; R% p' d# l9 T2 N* R! RWeil-a well I'm home , D* `4 U! e+ R5 e+ ?& \* [- x b4 L k
SAL3 N( _2 `6 x/ l! S# O& D' h) I% [
Wop, Wop, Wop, Wop, Wop.
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發表於 2013-1-9 09:39:15