本文章最後由 天爸 於 2014-3-6 16:53 編輯 6 W H1 o( p$ Z9 r
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Demis Roussos - A whiter Shade Of Pale 3 l2 `3 @ a" G. T5 j- t) G. n5 {$ A; D
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We skipped the light fandango1 M6 }- ?" p: g/ O3 @8 ~
Turned cartwheels 'cross the floor- {! y( |6 r8 n" v' }
I was feeling kinda seasick7 @. M7 ~1 x* V4 \# x. C) @
But the crowd called out for more ) N6 d+ G7 }1 V' M, f* V0 @ wThe room was humming harder ! i2 f8 \; M! W# t5 k# W( kAs the ceiling flew away* @* ]1 C- M. Y) x
When we called out for another drink " m8 _- ^+ g& ?6 B9 ~5 KAnd the waiter brought a tray! ^2 T0 n7 _0 F. E$ _
And so it was that later + t `# }) g. U# wAs the miller told his tale) m, W5 m2 H6 a0 C
That her face, at first just ghostly,% @1 C& P7 K7 T
Turned a whiter shade of pale 3 z: X: i* Y2 D+ q- u8 J9 t aShe said, "There is no reason% r+ E# R" ~) J, n* d4 _+ S
And the truth is plain to see." 2 |" q) }2 ^: c! O4 f- m2 aBut I wandered through my playing cards $ K3 [2 k# z6 y, aAnd they would not let her be . r& N. T4 R3 C7 O* |9 ]One of sixteen vestal virgins 5 C+ u9 v4 ] \; q& ]Who were leaving for the coast : B9 A& j- ~* R8 \9 p* o0 dAnd although my eyes were open wide t6 z( s4 H- s# C4 ~They might have just as well been closed8 u0 W) R q+ D
And so it was that later " v5 s# N+ N6 O8 d9 U3 D& Z. [7 OAs the miller told his tale- l8 L; J7 X/ J% A2 t
That her face, at first just ghostly, $ z( e0 @0 S% G' X2 p$ Q* ]" U7 }. ETurned a whiter shade of pale: o/ E3 t5 b ^( l
She said, "I'm here on a shore leave,"0 ~1 B9 {+ V; y. ]
Though we were miles at sea. 3 H8 n* K/ L& ~; `I pointed out this detail5 _( n( S9 {( L8 p
And forced her to agree, 1 N% p) W, ^) X O( f" ^Saying, "You must be the mermaid % ~0 r; M1 J8 `5 WWho took King Neptune for a ride." & J. x; B ^6 R' b4 Z, K* [: ]And she smiled at me so sweetly 6 J) U* d9 S% c. M1 G1 qThat my anger straightway died. . K3 g# x; w& BAnd so it was that later, n0 O2 J$ `' H- C4 Q2 |) G7 D
As the miller told his tale 8 X8 K& ^7 M2 t) S6 j! bThat her face, at first just ghostly, o8 R+ l/ |* S. L! u7 \Turned a whiter shade of pale " W4 G# f1 h9 m. b SIf music be the food of love 4 B4 K4 Q) _( q6 T) V8 DThen laughter is it's queen 7 C4 F6 ]& v; q) v1 }" y5 CAnd likewise if behind is in front6 T+ c; ^. Y& ^& y' f6 k
Then dirt in truth is clean% ~2 d4 ?7 C3 m
My mouth by then like cardboard / a& E3 |. V0 c! a- G8 d' |7 {, j: Q! aSeemed to slip straight through my head& U' m. W2 j+ f/ e7 x" o
So we crash-dived straightway quickly" q4 B/ @- C. O! U
And attacked the ocean bed ( C2 Q. A* L" L* P1 Q. Z' P) NAnd so it was that later 9 `5 g8 Q6 B6 {0 {As the miller told his tale+ o5 j3 M/ v( t" d. v
That her face, at first just ghostly, % Z% V. ^. A& l) tTurned a whiter shade of pale
Joe Cocker - Unchain My Heart (LIVE in Cologne) HD5 h8 z/ X' _' x5 N6 N- [
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% e7 x* r% Q) ^6 \* p...live in Cologne 2002... 9 s1 m! e2 i a# r( Q, j7 ]7 ]; E* e; ?8 F$ ?5 e, }
Composers : Robert Sharp, Teddy Powell4 u9 c: H2 V0 f6 [( c" Q
6 d" E7 @2 S7 \This song is Ray Charles cover% w, P, N2 n8 B
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The Band: ; a, ^8 s; U# p1 p2 M! c" U2 g' a3 t: D2 g' A! Z: ?
Keyboards - Mick Milo% Y* V! v: ]" w
Guitar - Gene Bloch' W( G B% L' K) i$ p7 P' a+ k# m1 |
Drums - Jack Bruno 5 v! V' O' a" h& ?% lBass - Oneida James + J# r' L1 L1 l+ c [! J, NSaxophone - Derik Dyer+ F; |8 X/ U& V! w
Vocals - Maxine Green3 \+ r* z e: j
Vocals - Amy Keys r) }/ E3 j, ]2 H* L3 u
( ]5 {6 C& [/ E) D$ GLyrics : 8 x' w# | C& J/ r/ ~4 T 7 Z! O7 V5 L) c: l( D: ?1 |5 DA little concentration,you know,' G* B0 X; K+ c0 I. z5 |! W
So we'll do one,and we can go to relax too ' \# ~% a1 \. E% d ' w; v2 x! w; n, h" uUnchain my heart baby let me be 4 `" T: U/ G) G" a/ B9 ECause you don't,weeell please,set me free * J: j6 S2 C) }; t2 T- ^- r: |3 _; S4 a8 z
Unchain my heart 4 b9 @5 u! J& ] e, l2 K8 n
Baby let me go ( k9 \+ S( S/ i/ D- L5 ?# f1 w8 {
Unchain my heart 1 o5 W% Q# n8 aCause you don't love me no more $ k( U3 j7 f" ~# @3 l
Every time I call you on the phone # r# K- f- q) {% \- g% d7 K5 u" Y/ cSome fella tells that you're not at home2 _& X. F! C& e# X( K% m% x! E9 b
Unchain my heart set me free ' J9 r* k& ]' m- |" \, f7 a4 ]6 S 2 P1 O" C' M' e8 ]; WUnchain my heart ( D. ?0 l1 x* \: c- o
Baby let me be 6 J% r F9 E, L$ ?Unchain my heart 2 |6 k- t9 Z9 M# R
Cause you don't care about me . j# R4 \- T7 B5 h6 jYou got me sewed up like a pillow case ( D1 z5 t$ N2 t+ t2 |8 D2 ~1 L
But you let my love go to waist 4 y4 Q6 f% u/ {
Unchain my heart set me free " \, y1 \9 h4 e1 q6 U& N7 J( T
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I'm under your spell 0 v+ _6 Z* i0 I8 `- A0 n; g7 t
Like a man in a trance / K' r2 u2 h8 E5 Q7 M& Z; O4 L hBut you know darn well that I don't stand a chance , X* @4 D3 S$ T2 S) ~. K
Unchain my heart let me go my way 4 W4 P$ P7 ]6 \; s& T6 O# F% Y7 \% H- i# oUnchain my heart you worry me night and day , ]6 f* V$ p; j% v+ G" v
I live a life of misery $ t6 |8 V4 \, rAnd you don't care a bag of beans for me ( p2 G$ l9 F$ V0 _5 |+ B* k m! P( fUnchain my heart set me free $ x& T5 @5 Q: R/ c! }1 l
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Sax Mini Solo : ( M; t9 J3 S5 _$ }! W6 y * O0 |' B7 f: ~9 m3 y; |0 H- {9 m! k3 a! YYou know I'm under your spell ' M+ ^/ ~& x% _! q' Y2 l1 _$ K4 aLike a man in a trance 7 ]$ ~4 p& Q/ e* d8 P
But you know darn well I don't stand a chance - j1 f: ^& g+ N( F% b5 Z3 S' U3 GUnchain my heart let me go my way $ p! p# d( p, A
Unchain my heart you worry me night and day # @4 I2 y7 q: {6 c) V3 d
I live a life of misery * u6 v7 J1 T1 K) {1 f) I
And you don't care a bag of beans for me * [6 i" N; h. U5 z5 F
Unchain my heart set me free" c' M! N- {) \4 L
And my baby set me free* ?! ] ~; V& ^) x
Little woman if you don't love me" [0 K4 t% k5 K B4 w
Won't you let me go? 9 O3 u6 J, f! p9 P F5 W3 q/ \{?Nigga?} don't love me no more* k" w% Y% }1 l: f! p/ P" ^; K
" ?! [% D. L2 B9 _ jSax Solo : / Y4 h8 E, i9 u% u% G1 u7 Z1 w$ N# T! Q! J4 T* k7 Z
I'm like a man in a trance 9 n$ G0 Z: H$ x0 V0 q8 iGirl you know darn well 8 @8 [. i3 O" i) D/ X( H0 {9 pI don't stand a chance,oooo+ k( T$ {7 |, Z0 f' G+ v+ [% s
I'm under your spell9 `$ P' {2 \( o4 [8 N/ i" m
Whoa 8 L$ [5 E. b9 ], O9 AYou don't care - j' P; Y) @7 f# C5 m" rWell please, ) o, i5 q }0 u0 y4 }Ooooo,set me free